erikdelaopera: (Default)
when he meets Christine in 1884, Erik would have given his age as "51, give or take 7 years."
Years are lost in the dark with his mother.
Around 1830 born.
leaves home at ? Age. 
Castrati (maybe 1836, maybe he's 11)
gets bored at Sistine Chapel.
leaves with performers, develops abusive relationship with circus. Breaks free, reinvents himself, meets Donovan. Tonkin Pirates, India, Punjab lasso. Lost and messy years. Ends at fair in Nizhni Novgorod.  Persian is told to fetch him. "For several months his word was law" 
9june 1863 assassinated Emir of Afghanistan. 

He & persian flee to Paris in 1863. 

Erik works on various construction projects. The opera, the Suez Canal and some work in Contsantinople. There's a Coup D'etat that puts crazy paranoid guy on the throne in Contsantinople.  1876 

paris expo 1878.  Human zoos.

1884, Christine 
erikdelaopera: (Default)
 "Christine. Christine are you listening to me? Erik has more confessions that he can make to you. They will not be the single most terrible thing that he could ever dream of speaking out loud, but you have already heard that. Erik can speak to you of days long past, far away and long ago in Persia or along with the circus. Erik can tell you of times he was most powerless, most abject, nearest to death. He will re-live these pains for you. For you alone. So that you need not be wretched, Christine. So you can be blessed. You are looking at me. I know you are listing to your little voice. Yes. Let me bless you with my pain. Let me deliver you with my own shame. Here, you can sit up. Dry your eyes. Why are you looking at me like that? I am quite serious. Erik will paint you as detailed a picture of his life as you wish. And when it becomes too terrible, simply tell Erik to skip ahead. 
You already know that Erik joined the circus. But you do not know how low he had fallen. 
"Here, I will set the stage. A little stage and a little chair for you my Christine. But this was not an exhibit that they would have allowed a lady such as yourself to enter. No, my act was far too macabre for women, for children or for the light of day. I will be ready in a moment. Don't go anywhere. This will help, Christine. You will have Erik if I have to give him over to you. Moment by moment. Miserable hour by miserable hour. Erik's childhood built up of such horrors and disparity. Imagine now if you will, You see the firelight flicker against the curtain and they say, 'from the land of the dead, the living skeleton!' Now you must imagine, Christine that instead of the worlds sweetest child before me, is a throng of drunken, belligerent Englishmen or Germans--their heads and bellies full of liquor, their sinuses full of snuff. And instead of the Erik you see before you today, imagine that there is a nameless child of perhaps 7 or perhaps 10. 
"Do you see Christine? Here I am lead around by a rope, here I am shrouded in black. Here I am displayed, exposed and vulnerable for all of Paris or for all of Milan or for all of Frankfurt. Men come crowding around me, eager to squeeze my flesh or pinch my arms. 
"Here I am again a little older. To diversify my act I have learned a little ventriloquism, a little magic and of course violin. The man speaking says I have learned to play the violin from the devil himself. I am the ghost of Niccolo Paganini, condemned to walk the earth as a living corpse until judgement day, playing the violin and luring men to their graves. I learn to tell fortunes and read palms when they finally let me speak for myself. 
"And when they finally let him speak for himself, the ghost calls himself Erik."
"But of course that is front stage, my little Christine. And Erik is still quite young then. Memories of that time are dark and strange. Erik remembers being chained to a tent post and beaten with a belt. Erik remembers the lash of a whip. Erik remembers the screams of the women from the circus as they were surprised by a forced visit of Erik's visage. Erik remembers standing helpless when others near him are hurt and violated. Erik is tied r perhaps handcuffed to something and forced to watch some man take his pleasures from a dancing girl. Erik is sick over it. Her cries haunt his nightmares for years. His wrists bleed from where he tried to escape.
"Erik is pushed, pulled, yanked from place to place to display himself. If he attempts escape he is beaten. If he succeeds in escaping he is dejected, from house to house, turned away from church doors, chased by hounds through the forest through the fields through the high deserts. 
"And now I will show you, Erik is in Persia. Erik is wrapped in long black cloths once again, but this time they are overlooked as being habitual. For the first and indeed only time in Erik's life he can move about the streets with something near ease. But these days in Persia do not lead to sanctuary. And now Christine I will break down this little stage and I beg you to think of me with as much charity as you have. 
"This was the truth I said you were not to know. This is the story you wanted and now you will hear of it.
"This is the rosy hours of Mazenderan."

Truths

Oct. 18th, 2014 08:55 pm
erikdelaopera: (Default)
 "That is not a truth for you to know."

"If! Every! Time! That! You! Say! That! I could take back some shameful confession that I freely gave to you under false pretenses then I WOULD. As! That! Is! Not! Possible! I demand that you consider the position you put me in! If you remain some enigma of untold mystery while reading m own self like a book, I cannot but fear and hate you.
"Since you love me--or say you do--you must wish to change that. 
"You must trust me.
"Tell me. 
"Tell me your most regretful action. Tell me your most shameful, wrong moment--that which you are most embarrassed of, most afraid to admit that is real. Tell me the truth that you barely dare tell yourself. Describe to me that moment.  ....you're thinking of it now... I can see the look in your eyes! Give me every detail. Relive the moment and tell me everything. Then you have some idea what it is like to be me. Don't try to think of a different moment! You had one! Yes. That one. 
"Tell me. Your deepest shame. Your darkest secret."

(long pause)

"You will wish me dead."

"I am headed perilously close to that anyway. Tell it to me. You owe it to me."

(long pause)

"What Erik tells you now is an entire truth. Erik is not leaving out any fragment for you to be concerned over or cause you worry. Erik is well aware of the sacred space he so carelessly stumbled into... and then so mercilessly stole."

"I am listening."

"It was an odd hour. Erik was mending something or other on the counterweight to your mirror. He hadn't expected you in for several hours. But then suddenly there you were. You made your way into the room almost as though you were afraid of being followed. You had a phonograph record in your hands. You turned the gas up a little to find the phonograph. And to turn the crank. And to set the record and the needle. Erik watched you with tenderness and curiosity as you locked the door behind you and lowered the lamps."

"My god."

"The Phonograph played Dvorak's Allegro con fuoco. ."

"No. Stop. You cruel thing."

"Wait."

"No. Oh god no. You were not to turn this back to me. You were not to humiliate me further. You were not to use my words to condemn me. My God..... my God oh my god. Please oh god."

"Christine I assure you that this confession is mine."

"I was a good girl"

"This is not about you. You are still a good girl."

"I'm going to die."

"No. Live. Listen to me.
"Erik was intrigued by the music and by you. Your reaction to the reaches of the music was absolutely enthralling. Erik felt compelled to join your dance as you spun on your toes and raised your arms. Barely visible in the lowest of gas light, you sat on the chaise lounge."
"It took Erik a little while to piece together what was happening to you."

"no"

"Once Erik realized, he was struck cold and hot all at once. No longer able to move, he was struck with the truth of the sanctuary that he had trespassed upon. Erik thought he was going to die, right then and there.
"But then the music. But then the music roared 'taw ta ta tatatata, Da dadatata Duh da' and Erik breathed again. The music flowed to his ears and he saw for a moment the way that the universe looked through the eyes of his beloved. Life was fresh and good. Power was filling the room with possibility. Erik had been dancing with you and it had been possible through music. Erik listened and heard and felt life. So alive looking into Christine's beautiful face. It was impossibly dark. Erik could not leave. Please believe, his first thoughts were of flight. Scenes such as this are not a pastime of Erik's. It took several moments for him to even realize. But realization and the music appeared together, like an audible inspiration, as though Christine herself was a piece of music, floating in the room. Erik kneeled before the mirror. The pressure and heat were unbearable. The March paraded on, heedless of our quiet pleadings for mercy. We were victims of the music.
"We climaxed together, you and I.
"The music washed over us both, triumphant and energetic in ways that Erik never dreamed he would ever capture. But in mere moments the magic began to fade. Your breathing slowed and deepened. Erik began to believe that you were asleep. He, too, unable to face any reality away from that window into paradise, curled down by the mirror and gazed deeply into your precious face until the record ended. The needle riding its merry way around & around the record."
"There is no deeper shame that Erik owns then of that moment. On the other hand, there is no greater joy he has ever experienced. Erik swore to take this delicate secret to his grave, knowing that it was never a space meant for him. After that day, he stayed far away from the mirror, the fear and horror of encountering such a miracle a second time making him delirious. Erik only returned to the mirror when Christine was expecting him there. And even then he took much more care to allow for space. He sang aloud on the way to lessons, he made sure you were well out of the building before continuing any work on the dressing room. As he continued to work on your room, he was careful to allow it sanctuaries where Erik could not ever cross. Never again would he tamper with such hallowed space. 
"Erik knows that this adventure was never meant for him. But perhaps Christine can see that whatever part Erik had in it belongs entirely to her."

"Your purity is untouched, I swear to you. It was absolutely an accident that made Erik find you. And nothing short of a miracle that compelled Erik stay,"

"Erik tells you this that you may know the depths to which Erik has stolen from you. That you may find him the worst kind of scoundrel. That you may commit him to death now if it be your wish. He will die happy having touched this ecstasy--stolen or discovered. This unearned grace."

"What did you see."

"Christine I swear Erik only saw your face. It was impossibly dark and Erik only saw your face.
"Erik did say that you would wish him dead. Erik is the most wretched of men."

"I want to die."

"No, my child. Please have no shame in this moment. The shame is entirely mine. It is Erik's shame."

"What can I do with this? I ask you to make yourself vulnerable to me and you instead display just how deeply I have already been violated. How can I go on saying that I am a good girl when I know in my heart what has happened? How can I ever feel alone again? You tell me how I can feel safe."

"I don't know.
"Oh please don't cry. Be angry with Erik, abuse him, strike him but I beg you not to weep."
"How can I prove to you that this is on Erik's shoulders alone?"
"How can I ever give this back to you? Yes, its true, we were both powerless before this music, but to me it was known. You were in your sanctum where no man can enter, proving that Erik is more fantome than man. More wretched than a dog."
"Powerlessness.
"How can I return to you your faith? How can I give you back your confidence?

<<Banat Banat haiduks


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Erik. Only Erik.

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